Silhouettes fashion
The
silhouette fashion is an image of a person, animal, object, or scene that is
presented as a solid shape of a single color, usually black, the edges of which
match the outline of the subject. The interior of a silhouette is featureless,
and the silhouette is usually presented on a light background, usually white,
or nothing. The silhouette differs from an outline, which depicts the edge of
an object in a linear shape, while a silhouette appears as a solid shape.
Silhouette images can be created in any visual artistic media but were first
used to describe pieces of cut paper, which were then stuck with a backing in a
contrasting color and often framed.
From
its original meaning, the word silhouette fashion is extended to describe a
scene or representation of a person, object, or scene that looks dark on the
backlit and a light background. Anything that appears this way, for example, an
image of a backlit standing in a doorway can be described as a
"silhouette." Since a silhouette emphasizes outline, the term has
also been used in the context of fashion and fitness to describe the shape of a
person's body or the shape created by wearing clothing of a particular style or
time.
Silhouette fashion history
One
of the first truly ornamental silhouettes grew up in the years before the
French Revolution which was a time of abundance and decay. The gowns were
draped extensively in heavy silk. At the events, the women of the society wore
a pannier, a side hoop that extends the width of the dress, keeping the front
and back relatively flat. These antisocial garments ignited the flames of the
French Revolution, symbolizing the widening of class distinctions.
But,
after the revolution, very few people wanted to associate with the extras that
they have recently ousted, and fashions have become simpler and less elegant. A
high-waisted silhouette, known as the "Empire" style, was inspired by
Greco-Roman artwork and popularized by Josephine Bonaparte, wife of the French
emperor. The bodice was fitted just below the bust, while a long, gathered
skirt was attached. The style represented the independence of many women who
were happy to avoid heavy and uncomfortable petticoats.
In
Europe and the United States, women's skirts have grown larger and tighter in
recent decades, with the addition of metallic hoops and crinoline. In the
Victorian era, silhouettes were tightly fitted and skirts became even bigger.
Bustled silhouettes with back-heavy petticoats emphasize the waistline even
more. The bony limbs were forming new popular shapes with an emphasis on the
back.
Different types of silhouettes in fashion
There are different types of silhouettes fashion in the fashion world. Such as-
Sheath silhouette
In
silhouette fashion, a sheath silhouette dress is a fitted, straight-cut dress,
often pressed at the waistline without a waist seam. When making the dress, the
bodice, and the skirt are joined together by combining the skirt darts into one
dart: it aligns the skirt darts with the bodice waist dart. A sheath silhouette
is a form-fitting silhouette from top to bottom of clothing. The way this silhouette
embraces the body makes it a forgiving style for those who do not have a
perfect figure. A defined waist is a prerequisite to looking good in this
silhouette. This style is usually fitted with slits in the hem for easy
movement.
Straight Column silhouette
The
dress under this silhouette will have a rectangular shape as it has almost the
same measurements for the bust waist and hem. It is also referred to as a
rectangular silhouette / tubular silhouette. A person with a thick waist and
wide hips would like this silhouette because it hides these flaws very
comfortably. This is very often seen in silhouettes in summer clothes. The
dresses of this silhouette are made of fabric that drapes very well, which is
lightweight.
A-line silhouette
An A-line
silhouette is attached to the body and makes it look like Capital A with some
flares on the skirt. The A-line silhouette works well for most people; a dress
in this silhouette is narrow at the top and smooths the awkward lines and
curves of the body, gradually widening towards the hem and therefore flattering
most body shapes. It starts at the waist and continues to flare to the hem and
in a dress, it starts from the neck or a tight-fitting body and then ends in a
flaring skirt. It is characterized by a silhouette that fits the body shape of
almost all women. French fashion designer Christian Dior who is credited for
creating this particular silhouette.
Empire silhouette
An
Empire silhouette is a silhouette with a raised waistline; That is, the waistline
is made above the normal waist. The silhouette of this dress flares out from
under the chest line. This is the most suitable style for a figure with a thick
waistline. Typically, the effect is achieved by making the dress in two panels,
the skirt panel starting at the bottom of the chest.
You May Know: Parachutes fabric | Properties and Manufacturing process
Three-dimensional silhouette
A
silhouette that uses sloping raffles, flouncy frills, large sculptural sleeves,
or similar elements that go beyond the ordinary silhouette to occupy extra
space is called a three-dimensional or 3D silhouette. Although royalty in
ancient Egypt already used this type of silhouette in their accessories,
Renaissance costumes also popularized their garments. These include skirts,
ruffles, fluffy sleeves, and ruffles, which are again worn mostly by royalty.
Because of their weight and impracticality, to this day, three-dimensional
silhouettes are not part of everyday fashion.
Hourglass silhouette
The
hourglass silhouette is characterized by a fitted waistline. This very
famous/popular silhouette emphasizes the curve of the feminine figure. You can
design this silhouette with the help of belts, waistbands, and darts. Corset
tops and bustiers with flared skirts can emphasize the waist and create this
silhouette.
Trumpet silhouette
This
silhouette also called the mermaid silhouette, is very similar to the sheath
silhouette, the difference being that it shines generously from the knees like
a ball gown. The tight-fitting of this silhouette on the knees makes it very
difficult to navigate but it is undoubtedly a very beautiful silhouette and
therefore worth the sacrifice.
Extreme-volume silhouette
This
is a silhouette you see in long oversized jackets and maxi dresses, capes, and
wraps. A huge silhouette is the most used style of outerwear. The kaftan with
many layers of fabric is an example of this silhouette. In this silhouette, it
is very easy for the image to be overwhelmed by the volume. The figure of the
person is very important when considering this silhouette for a particular
person.
H-line silhouette
The
H-line was one of the silhouettes introduced by Christian Dior. This silhouette
was introduced in 1954 and refers to the letter 'H', straight with a slight
accent at the waist. It was popular for emphasizing the length of the legs,
making it a feminine shape instead of something square and boxy.
Y-line silhouette
The
inverted version of the A-line is the Y-line: a slender silhouette with accents
on the shoulders, which can vary from an attractive wide collar to a large
shoulder pad. The silhouette was first introduced in 1954 by Christian Dior.
The silhouette is basically a V-shaped stiff upper body part with a neckline, a
tight dress, or a skirt with a notched lapel collar. That's why the silhouette
looks like Y.
S-line silhouette
An older silhouette is an oversized version of the hourglass silhouette that uses body-contouring fountain clothing like corsets that push the bust forward and push the buttocks into an S shape. The silhouette was emphasized with the help of bustles on the back of the gown.
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